For hockey legend Terry Sawchuk, playing goal in the National Hockey League was more of a calling or destiny than a vocation, or so the new biopic, aptly named Goalie, would have you believe. Indeed, it seems that from his humble beginnings in rural Winnipeg, to winning the Stanley Cup four times – three times with the Detroit Red Wings and once with the Toronto Maple Leafs – Sawchuk was constantly plagued by a troubled past as well as the numerous injuries sustained throughout his twenty-year career, during which he played for four of the Original Six teams, until dying after a drunken fight in 1970.
In fact, the film begins with a scene depicting Sawchuk’s autopsy after the aforementioned fight. The examiner notes all of the damage that has befallen Sawchuk’s body throughout his career. It’s scene that should set the tone for the film to come. Something that should compel the audience to ask, how did this man end up on the slab? But the rest of the film isn’t too terribly interested in delving into the deep existential answers to these questions more than it is laying out the basics of Sawchuk’s life and letting you draw your own conclusions.
At the heart of the story is Mark O’Brien as Sawchuk. He does a remarkable portraying perhaps one of the greatest goaltenders to ever put on a pair of skates and make him a tragic everyman hero.
There’s a raw emotionality to O’Brien’s performance, whether it comes in his uncomfortable interactions with his teammates or his increasingly troubled relationship with his wife (played by the O’Brien’s real-life wife Georgina Reilly). This raw emotion is the thing that sets Goalie apart from other films of this ilk as it plays out almost exactly as you would expect. Still, O’Brien manages to move the film a bit past center ice on occasion.
The film is directed by Adriana Maggs in an atmospheric manner that is reminiscent of something like John Sayles’ Eight Men Out (1988). The script, which Maggs also co-wrote with her sister Jane, is partially based on a book of poetry about Sawchuk written by their father. The devotion to the subject that the whole family apparently feels is obvious in the film, but it’s a shame that it doesn’t coalesce as well as it should. There’s a sad, tragic story here that would have made for a powerful dramatic ode to one of the greatest goalies to ever play the game. Instead, Goalie is a solid, entertaining film that makes one wonder what could have been.
Mike Tyrkus
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