Originally published in 1986, Elvis and Me: The True Story of the Love Between Priscilla Presley and the King of Rock n’ Roll, proved popular enough to warrant being made into a four-hour television movie in 1988. Now, thirty-five years later, Sofia Coppola has written and directed a new adaptation – simply titled Priscilla – that not only breathes new life into Presley’s memoir, but also further solidifies Coppola as a director deserving of comparison to her more heralded father.
The film begins as a teenage Priscilla Beaulieu is introduced to Elvis Presley at a military-hosted party in Germany. From that moment, the couple enjoy a long courtship that culminates in a tempestuous marriage resulting in the birth of Lisa Marie Presley (Raine Monroe Boland/Emily Mitchell) and the couple’s ultimate separation.
Whereas the earlier version of Presley’s book plays more as a “tell all” soap opera, Priscilla wisely tells the story from the main character’s point of view, allowing the viewer to draw his or her own conclusions as to the motivations and machinations at play by and between other characters. There is no sense of “preaching” in Coppola’s film, there is only a strong affinity for telling the story, which is done in a stylistic, yet period respectful manner (possibly influenced by her father’s fictional forays into the world of organized crime).
Yet again, Coppola asserts her voice as a stylistic and innovative filmmaker with a unique flair for telling traditionally male-centric stories from a purely feminine perspective. With Priscilla she does so again as Jacob Elordi’s remarkably effective Elvis is forced to take a backseat to the transcendent portrayal of Priscilla delivered by Cailee Spaeny. Coppola’s interpretation of the memoir by Presley and Sandra Harmon also showcases the filmmaker’s ability to mix words, music, and pictures to create an artistic tapestry that elevates the source material to something more epic than it began as.
Although it is probably far from the last film that will be based on the romance between Priscilla and Elvis, Sofia Coppola’s Priscilla may ultimately be the best and is certainly the latest great film from a talented and gifted filmmaker.
Mike Tyrkus
Latest posts by Mike Tyrkus (see all)
- Box-Office Weekend: Red One Stops Venom - November 17, 2024
- Box-Office Weekend: Venom Threepeats - November 11, 2024
- Box-Office Weekend: Venom Stays on Top - November 3, 2024