So, imagine David’s surprise when a lawyer shows up as his apartment with a class action suit filed by 142 of his offspring who want to know their biological father’s true identity. It is the final piece in the puzzle for these kids as far as where they came from. As a viewer it is hard to choose their side over David’s and vice versa. It is understandable that a child would want to know their own ancestry and has the right to know, but on the other hand a sperm donor (as in David’s case) does so anonymously and has the right to remain that way.
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Even though David is the proverbial (and often times trite) slacker, he is a very easy character to root for thanks to the solid performance by Patrick Huard, a French Canadian actor from Montreal, Quebec. Though I have never seen Huard in anything, I am impressed by his resume which includes film and television acting in addition to stand-up comedy. There is something subtle about Huard’s humor and sincere about his screen presence that makes it impossible not to like his portrayal of David Wozniak. David is the classic guy who repeatedly tried to do the right thing but somehow always manages to screw it up. In addition to the pending lawsuit, David and his on-again/off-again girlfriend are faced with an unplanned pregnancy, and if that wasn’t enough for this poor guy, he owes some very scary men roughly around $80,000. Clearly nothing in David’s life is stable and though we can predict that he is going to turn things around, it is still compelling to watch from start to finish.
There is really nothing about Starbuck that I did not like. My only small speck of a criticism would be that if anything there may be too much going on with the story. It is at times hard to keep all aspects of the film straight as more and more events seem to unfold at every turn. I hate to complain about this, since the alternative being not enough going on in a story is almost unbearable to me. I would gladly take the former any day that ends in y since I cannot stand to be bored in the movie theatre. Those of you who historically avoid foreign movies with subtitles, I would urge you to reconsider. Though the subtitles are challenging in the beginning of the film, by about twenty minutes into the story, you become so engaged that you can experience the story through the actors’ expressions, movements, and body language which make the subtitles almost unnecessary. This statement does not intend to take anything away from the writers of the film for it is clear that all aspects of Starbuck, unlike its main character, had it together in order to make a highly successful and enjoyable movie experience.