The new drama, The Climb, begins with, well, two cyclist friends climbing a winding, mountain road as they discuss their current state of affairs. It is a rather obvious metaphor for the twists and turns the relationship these two friends have will take throughout the entirety of the film.
The Climb was written and directed by Michael Angelo Covino, who also plays Mike, the better cyclist of the two, but also the worse friend. His friend, Kyle (Kyle Marvin, who also co-wrote the film) is getting married and is talking incessantly about how happy he is and how great it will be to be married. That is, until Mike reveals to him that he has slept with Kyle’s bride to be and that he is in love with her. This effectively ends the bike ride, and their relationship.
The film then skips ahead a few years and picks up the story of the two men in an episodic manner that allows the story to effortlessly allow for the passage of time. In the next segment it is not only revealed that Mike did, in fact, marry his friend’s former fiancé, but that she has now tragically passed away leaving him lost and seemingly without purpose. Kyle, meanwhile, has married Marissa (Gayle Rankin) and has been trying to be more assertive in his life. The remainder of the film serves as evidence of Mike’s aimless walk through existence trying to come to terms with losing not only the love of his life, but the friendship and connection he once had with Kyle.
As a filmmaker, Covino displays a striking ability to keep the camera fluid. Nothing ever seems staid throughout the course of the film. There always seems to be something interesting going on within every frame of the movie. However, there is another aspect to filmmaking that the film sometimes flounders with. It is simply a little too sure of its own importance to tell its story and move on. There is a constant need to drive home the ultimately, very simple point of the film that, in the end, makes everything feel tedious and a bit overlong.
That is a shame because there is obvious talent at work here as Covino seems to be gifted both as a visual storyteller and as an actor, but there is simply too much on the table throughout the film that is never allowed to mature or sifted through properly enough to the point of being relevant or really all that interesting or memorable.
While The Climb itself doesn’t work as well as perhaps it could have had it been handled in a different way, it does offer a glimpse at a young filmmaker with the visual aptitude and apparent talent to make his next undertaking one to more eagerly anticipate.
Mike Tyrkus
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