Albert Brooks

Over the past two years I’ve really immersed myself into the world of classic films from the 1930s, 1940s and 1950s. During that time, I’ve found that I whole-heartedly subscribe to the old adage “They don’t make ‘em like that anymore.” Give me a classic film noir like This Gun for Hire (1942), Dark Passage (1947), or Kiss Me Deadly (1955) over any big-budget blockbuster and I’m happy. So, it with...[Read More]