As I said last week, the summer is a time when movie studios start promoting their big films and Oscar hopefuls that are coming out in the fall and winter. And just like last time, this week’s installment of Trailer Trashin’ is looking at a promising December release – Django Unchained, the new film from writer/director Quentin Tarantino. Premise: Django (Jamie Foxx), a freed slave, tr...[Read More]
With sadistic glee and a voyeur’s camera, Roman Polanski’s film version of French playwright Yasmina Reza’s stage production God of Carnage (shortened to the misleading horror-suggesting title Carnage)is a razor-sharp, viciously mocking comedy of bourgeois manners that draws from the caustic work of Edward Albee and the brittle futility of Luis Bunuel’s best efforts (especially as a variation on h...[Read More]
Early on in The Three Musketeers, a guard smirks at a captured Porthos (Ray Stevenson) and says, “For a man of your reputation, I expected better.” I guess, by now, it’s sort of a waste to say the same of Paul W.S. Anderson. His first major studio effort, Mortal Kombat (his first actual film was the low-budget Shopping with a then-mostly unknown Jude Law), though based on a video game, was a surpr...[Read More]
Sure, there are plenty of golden-hued stories set during the American Depression of the 1930s which merely glance at the legendary hardships of the time but mostly linger on the crisp fashions and hot jazz of a romanticized era. Water for Elephants, based on Sara Gruen’s bestseller, is another glossy Depression-era tale of a clean-cut young man who runs away with the circus and falls into romantic...[Read More]