As far as period piece spy thrillers go, director Guy Ritchie’s "The Ministry of Ungentlemanly Warfare" stands near the top of the genre.

“Snake Eyes” plays like an early-seventies James Bond knock-off that desperately wants to be something more tangible and important than it ultimately is.

I would be hard pressed to call Last Christmas a “love story.” While marketed and presented as such, I beg to differ. Last Christmas is the story of Kate—a bumbling, near-homeless, can’t-get-her-sh*t-together, hot mess of a you...