Hollywood has always had a peculiar way of treating its artists. Usually after celebrating an initial spark of genius, the studios, media, or loyal fans often watch the once promising talent fizzle out with a bang, or more times, with a quiet whimper. Either way, it remains a difficult feat to stay relevant in Hollywood. Martin Scorsese is an example of the rare filmmaker who has been working for ...[Read More]
The Detroit Film Critics Society is pleased to announce the Best of 2011 nominees in ten categories. The society was founded in spring 2007 and consists of a group of twenty-two film critics who write or broadcast in the Detroit area as well as other major cities within a 150-mile radius of the city including Ann Arbor, Grand Rapids, Kalamazoo, Lansing, and Flint, Michigan. Each critic submitted t...[Read More]
As I wipe away tears of exhausted joy, the sheer overwhelming beauty of Martin Scorsese’s Hugo is just beginning to take shape as a solid, golden object of art that should come to be a classic film for children and adults in the same pantheon as The Wizard of Oz, The Red Balloon, and E.T. Scorsese has been leading up to the kind of picture that would serve as a personal summation of all of the rev...[Read More]