Disney appears to be getting more and more comfortable making films more like their Pixar counterparts. Zootopia, their most recent effort, is less Frozen-style musical flair and more Wreck-It Ralph, aimed at delivering humor and character with equal parts cynicism and heart. Does it work? For the most part, yes; visually stunning and funnier than you might think, the film is a joy to sit through for kids and adults. But some of its brightest spots (and the theme of the story) suffer from some interesting problems.
If nothing else, Zootopia is once again a showcase for the animation Disney is famous for. Though a little disappointing that it isn’t rendered in classic two dimensions (a few early storyboards had a distinctive art style that would’ve been great to see on the big screen), the 3D animation is still fantastic, expressive, and vibrantly colored. The city of Zootopia (rendered into several neighborhoods consisting of entirely different biomes) allows for a huge variety of backdrop while keeping the story tightly knit and quick moving. One of the highlights involves a chase through a section of the city inhabited by the smaller rodents, in which even Judy’s small size leads to more than a few interesting visuals as she tries to avoid acting as a mini-Godzilla.
The story, in the meantime, is twisty and good fun, and loaded with humor…and it ought to be, with longtime Simpsons (and Wreck-It Ralph) alum Jim Reardon onboard to do some story work, and it shows in everything from facial expressions to visual gags to the cynical humor that loads up the bulk of the running time. Nary a fart joke is anywhere to be found (thankfully that’s a phase that appears to be passing), and even the pre-release “They’re animals, so everything is an animal pun!” posters appear to have been left by the wayside in actual release; the only time that old cliché comes up is late in the movie as Disney makes a few digs at itself. It works for what it is, and doesn’t wear out its welcome. No character is annoying to any degree, and all will find their place in the hearts of one viewer or another…except for perhaps Shakira’s Gazelle, who seems to be there just so that she can sing the pop song at the end of the film (though she does provide a few laughs via her character’s phone app, but the less said the better).
Which also leads to the next point: the moral lesson. The movie makes it constantly and continually, but when it comes time for the character who learns it to understand it, it seems sort of misplaced. Of all the people in the movie, the character seems like the last person who needed to get it, and when it shows up, it feels a little shoehorned in. Again, it’s not that the lesson learned is a bad one, but it seems like there was a little bit on the cutting room floor that should’ve been left in to make it feel more natural.
In the end, though, these are minor quibbles. It could also be argued that these “problems” are things that will resonate with the kids that go to see this upon the near constant repeat viewings it is sure to have in every household. Underneath a cop/detective story is a theme of trust, understanding and hope; “not everybody is how they seem at first glance” is not only an important ideal throughout Zootopia, but for the rest of us as well, no matter who we are. Of course, it is a moral told to us by animals wearing pants, so take it with whatever grain of salt you need.
Seth Paul
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