Movie Review: Thunderbolts*
What We Liked
What We Didn't Like
In the sixteen years since the Marvel Cinematic Universe (MCU) launched with Iron Man in 2008, there have been a multitude of films released throughout the years. Recently, the films have felt a little stale, or at least not as fun as they used to be as the overall arc of the current saga tries to find its foothold. With Thunderbolts*, the MCU has been put back on track and made the films not only entertaining, but must-see events again.
The story of the faux family of spies that was introduced to the MCU in Black Widow (2021), is revisited in Thunderbolts* as two members of that “family” – Yelena Belova (Florence Pugh) and Alexei Shostakov/Red Guardian (David Harbour) – reluctantly team up with fellow discarded anti-heroes John Walker (Wyatt Russell), Ava Star/Ghost (Hannah John-Kamen), Antonia Dreykov/Taskmaster (Olga Kurylenko), and Bucky Barnes (Sebastian Stan) to undermine the machinations put in play by Valentina Allegra de Fontaine (Julia Louis-Dreyfus) to cover her own questionable actions.
Faced with the prospect of working as a unit in order to get to the bottom of the whitewashing of their existence, this motley crew of dysfunctional heroes must confront the sins of their collective pasts and unite as a team able to face a new foe that may just threaten the safety of the entire world.
(From left) David Harbour, Hannah John-Kamen, Wyatt Russell, and Florence Pugh in “Thunderbolts*.” Photo by Marvel Studios – © 2025 MARVEL. All Rights Reserved.
Director Jake Schreier (2012’s Robot & Frank) does a wonderous job weaving the action and subterfuge needed for this story to work along with the development of the multiple characters that are also required to fill out the somewhat epic scope of the film. Screenwriters Eric Pearson (who previously contributed to the MCU with screenplays for Black Widow and Thor: Ragnarok [2017]) and Joanna Calo infuse the story with wit and humor that harkens back to the early days of the MCU and the players all seem to be keen to follow that tract.
First and foremost, this is Florence Pugh’s film. She does most of the plot’s heavy lifting and is at the center of all of the interactions between various characters. Consequently, she shines in the spotlight and breathes new life into the MCU. Other actors reprising earlier roles – such as Harbour, Russell, and Stan – are up to the task of working as an ensemble and everyone is afforded an equal amount of time to shine. Even John-Kamen’s Ghost and Kurylenko’s Taskmaster are played up as equal heroes to the rest of the group.
The film retains the kinetic energy and brisk timing of other MCU stalwarts courtesy of Angela M. Catanzatro’s editing work, and the cinematography provided by Andre Droz Palermo gives the somewhat muted colors of Rory Bruen’s art direction the life that it deserves.
Given that the current phase of the MCU was previously highlighted by the somewhat shoe-horned entry Deadpool & Wolverine (2024), it is a promising step that Thunderbolts* so successfully builds on that momentum to suggest that perhaps there could be even more excitement on the horizon in Phase Six.
Mike Tyrkus
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