Mike Tyrkus

An independent filmmaker, co-writer and director of over a dozen short films, the Editor in Chief of CinemaNerdz.com has spent much of the last three decades as a writer and editor specializing in biographical and critical reference sources in literature and the cinema, beginning in February 1991 reviewing films for his college newspaper. He was a member of the Detroit Film Critics Society, as well as the group's webmaster and one-time President for over a decade until the group ceased to exist. His contributions to film criticism can be found in Magill's Cinema Annual, VideoHound's Golden Movie Retriever (of which he was the editor for nearly a decade until it too ceased to exist), the International Dictionary of Films and Filmmakers, and the St. James Film Directors Encyclopedia (on which he collaborated with editor Andrew Sarris). He has also appeared on the television program Critic LEE Speaking alongside Lee Thomas of FOX2 and Adam Graham, of The Detroit News. He currently lives in the Detroit area with his wife and their dogs.

Movie Review: The High Note

For what initially looks like a slightly above average tearjerker of a slog through a castoff Lifetime movie of the week, the new dramedy, The High Note, from Focus Features proves to be a surprisingly delightful tale that showcases the talents of its two leads, Dakota Johnson and Tracee Ellis Ross, and makes for a refreshing change of pace from the action and/or adventure films that have traditio...[Read More]

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Movie Review: The Booksellers

Director D.W. Young’s documentary, The Booksellers, began streaming on various virtual cinema screens back on Friday, April 17 and has finally made its Detroit debut via the same medium at the Detroit Institute of Arts and those who seek it out will find it to be a thought-provoking treatise on the decline of the eclectic world of rare book dealers and the effects that could have on the material y...[Read More]

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Movie Review: Slay the Dragon

The new film, Slay the Dragon, from directors Chris Durrance and Barak Goodman, may prove to be one of the more pivotal, and possibly important films of the year when all is said and done. The film is a mediation and analysis of the political process and effects of gerrymandering—the practice of creating boundaries for electoral districts that ostensibly favor certain political interests within le...[Read More]

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Box-Office Weekend: Onward Stays On Top

The last weekend featuring notable new releases for the foreseeable future yielded three new entries to the box-office weekend. But, even though there were new movies available, when people did venture out to multiplexes amidst societal health concerns, Disney/Pixar’s Onward retained the top spot to lead the weekend box office. The film added $10.5 million over the weekend, and now boasts a two-we...[Read More]

Movie Review: Wendy

The timeless story of Peter Pan is reimagined in the wildly inventive and engrossing Wendy from director Benh Zeitlin. But the real treasure of the film is young star Devin France who bedazzles and electrifies the screen as the titular character. Lost on a mysterious island where aging and time have come unglued, the fabled Wendy must fight to save her brothers, gain her freedom, and retain the jo...[Read More]

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Movie Review: I Still Believe

Believe it or not, the film I Still Believe from Lionsgate is ostensibly the true-life story of Christian music star Jeremy Camp. But, this allegedly “inspiring” love story from the directors of the similarly-themed I Can Only Imagine (2018) is pretty much a copy of their earlier film and that’s about the loftiest praise you can bestow upon it. Camp is played by J.J. Apa (Archie from television’s ...[Read More]

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Movie Review: The Hunt

Stop me if you’ve know this one, twelve strangers wake up in deserted clearing with no idea of how they arrived there and aClear cachere then systematically hunted for sport by more affluent members of society. If you haven’t heard that story, morality play, joke, or whatever you would like to call it, before, that may be because it is none of those things. It is, in fact, the plot of the new horr...[Read More]

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Movie Review: Bloodshot

The latest comic-book to be adapted as a film, Bloodshot, stars Vin Diesel as a recently murdered soldier named Ray Garrison who is resurrected and bestowed with super strength and healing abilities thanks to nanotechnology coursing through his veins. Now, of course, he’s hell bent on exacting revenge on those that not only caused his early demise, but robbed him of the love of his life. Or is he?...[Read More]

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Box-Office Weekend: Pixar Returns to the Top

Two new releases made noise this box-office weekend while another film rode a nationwide expansion to a place on the top ten as well. The latest Disney/Pixar production, Onward, led the weekend box office with an opening weekend debut of $40 million, easily besting the second-place film by nearly $25 million. Last week’s number one film, The Invisible Man, dropped to second place this weekend with...[Read More]

Movie Review: Onward

The latest offering from the pairing of Disney/Pixar, Onward, asks audience to imagine a world without wizards or magic. At first, you may think that wouldn’t be so hard to do, but there’s a lot more to it than meets the eye (there always is in cases such as this). Onward ponders this existential question and balances a heartfelt message along with some exquisite lead performances from Chris Pratt...[Read More]

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Movie Review: The Way Back

The new film, The Way Back, is and often frustrating, yet occasionally inspiring tale of redemption that meanders its way through a typical, yet clumsily told comeback story. The saving grace of the whole endeavor though is the solid work done by Ben Affleck. His work transcends the film’s shortcomings to give the film a reason to exist. The film tells the story of former high basketball phenom Ja...[Read More]

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Movie Review: Greed

There’s an underlying message in Michael Winterbottom’s new film Greed that feels like it was tailor-made commentary on the current era in American politics, not directly, but rather the environment that created and actively fosters it right now. But, the outside vantage point afford by this import is not only oddly incomplete, but it is also a tad condescending in its condemnation of the state of...[Read More]

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