Something so unexpected happens halfway through Love Crime, the final film by the late French director Alain Corneau, that you’re left wondering how the story can keep its legs throughout until the end. Consequently, the first ...

Over the past two years I’ve really immersed myself into the world of classic films from the 1930s, 1940s and 1950s. During that time, I’ve found that I whole-heartedly subscribe to the old adage “They don’t make ‘em like that ...

It’s the Mods versus the Rockers in Rowan Joffe’s glossy update of Graham Greene’s canonical 1937 literary thriller Brighton Rock. Transposing the setting from pre-war England to the era of “teddy boys” on scooters, director Jo...