Movie Review: After the Hunt

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There are movies that haunt the psyche after seeing them and then there is a film such as Luca Guadagnino’s After the Hunt that are simply haunting in and of themselves, yet still resonate long after the experience of watching the film has ended. While there is no clear-cut way to categorize the director’s latest film, it will undoubtedly be known as one of the filmmaker’s most enduring works when all is said and done.

“After the Hunt” poster

In the film, Julia Roberts stars as Alma, a college psychology professor who appears trapped in a loveless marriage (or at least an oddly complicated one) with husband Frederik (a brilliant Michael Stuhlbarg), as she navigates a possible tenure track at Yale while her star pupil (Ayo Edebiri) brings allegations of rape against Alma’s colleague Henrik (Andrew Garfield) who just so happens to be up for the same tenured spot that Alma is.

This leads to an intense psychological drama that has more dynamics to it than a simple He Said/She Said conflict. As the thriller quality of the film builds, the dread of the possible outcome begins to fester almost making the audience another victim in this sordid tale.

While Guadagnino is no stranger to stories of this level of edginess and depth of character, his screenwriting partner this time around, actress/producer Nora Garrett – making her screenwriting debut – acquits herself nicely with touches of humanity that seem to have been tailored by her specifically to enhance the depiction of characters within the film. Guadagnino, meanwhile, displays the same level of precise control of the narrative that he exhibited in films like Challengers (2024) and Call Me by Your Name (2017).

This is only enhanced by spectacular performances delivered by star Julia Roberts and Ayo Edebiri, whose Maggie Resnick becomes a sort of tragic hero, and then villain (as do most of the characters present), throughout the course of the film. Similarly, Andrew Garfield shines as his Henrik Gibson sees his life dissolve around him as well. Anchoring the cast, the steadfast work of Michael Stuhlbarg as Alma’s husband grounds the whole of the film in a story of seemingly loveless marriage that somehow still has a burning ember within it.

Julia Roberts and Ayo Edebiri in “After the Hunt.”

Julia Roberts and Ayo Edebiri in “After the Hunt.”

A haunting score by Trent Reznor and Atticus Ross only heightens the psychological turmoil depicted amongst these troubled characters as each of their individual worlds unravel.

Beneath it all, Guadagnino’s steady hand guides After the Hunt through a narrative that, though it appears likely to take the story in one direction, instead opts to take the road less travelled and the result is a genuinely unique and often troublingly brilliant piece of filmmaking.

Julia Roberts and Ayo Edebiri in “After the Hunt.”
Movie Review: After the Hunt
CONCLUSION
When all is said and done, "After the Hunt" will undoubtedly be known as one of Luca Guadagnino’s most enduring works.
Producer:Luca Guadagnino, Brian Grazer, Jeb Brody, Allan Mandelbaum
Release Date:October 17, 2025
Running Time:138 minutes
Starring:Julia Roberts, Ayo Edebiri, Andrew Garfield, Michael Stuhlbarg, Chloë Sevigny, Lio Mehiel
Writer:Nora Garrett
MPAA Rating:R (for language and some sexual content)
Director:Luca Guadagnino
Distributor:Amazon MGM Studios
External Info:Facebook / Instagram / #AfterTheHuntMovie
What We Liked:
A unique and often troublingly brilliant piece of filmmaking.
What We Didn't Like:
Ayo Edebiri is just a little underutilized.
4
CRITIC RATING:
An independent filmmaker, co-writer and director of over a dozen short films, the Editor in Chief of CinemaNerdz.com has spent much of the last three decades as a writer and editor specializing in biographical and critical reference sources in literature and the cinema, beginning in February 1991 reviewing films for his college newspaper. He was a member of the Detroit Film Critics Society, as well as the group's webmaster and one-time President for over a decade until the group ceased to exist. His contributions to film criticism can be found in Magill's Cinema Annual, VideoHound's Golden Movie Retriever (of which he was the editor for nearly a decade until it too ceased to exist), the International Dictionary of Films and Filmmakers, and the St. James Film Directors Encyclopedia (on which he collaborated with editor Andrew Sarris). He has also appeared on the television program Critic LEE Speaking alongside Lee Thomas of FOX2 and Adam Graham, of The Detroit News. He currently lives in the Detroit area with his wife and their dogs.

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