Movie Review: Gladiator II
What We Liked
What We Didn't Like
Arriving over two decades after the original film, director Ridley Scott’s latest endeavor, Gladiator II, echoes the story and breadth of the first chapter, but is ultimately a hollow experience devoid of originality or anything other than a mildly disguised reworking of the first film.
The film begins as Lucius (Paul Mescal) is forced to watch as Romans, led by Marcus Acacius (Pedro Pascal), invade his homeland and slaughter many of his people – including his beloved wife – before taking the survivors back to Rome to fight in the Colosseum. There, Lucius becomes one of the prize warriors owned by Macrinus (Denzel Washington) and is told that he will be granted revenge upon Acacius if he does as Macrinus bids and becomes a champion. Of course, Macrinus has put other plans in motion to improve his own station and as always happens, treachery begets treachery.
Coming a year after the far superior Napoleon, Scott’s return to the world of “Gladiator” – like his return to the world of “Alien” with Prometheus (2012) and Alien: Covenant (2017) – suggest that perhaps some franchises are best left alone. Missing here are the strong visuals that have adorned most of Scott’s best work as well as the often subversive subtext that even his lesser work plays with to perfection. What is left is simply a sequel – nothing more, nothing less.
The screenplay, written by David Scarpa – who also worked with Scott on the aforementioned Napoleon – also appears content to regurgitate the formula of the first film without trying to introduce any new variables to the equation, other than setting the it decades later so that a fair amount of people seem to have forgotten the events portrayed therein.
Although he does an admirable job as the hero Lucius, Mescal is saddled with basically rehashing the character that Russell Crowe played twenty-four years earlier. Even returning players such as Connie Nielsen (Lucilla) and Derek Jacobi (Gracchus) feel shoehorned into the film for the sole purpose of making it a legitimate sequel and not simply a remake. Perhaps the biggest disappointment though is how little Pedro Pascal is utilized at the heart of the film. Even though affording his character a larger role would have certainly elongated an already bloated running time, it certainly could not have hurt the emotional weight of the story.
Despite some impressive visuals during the film’s battles scenes, Gladiator II is unfortunately little more than a tired retread of an earlier, and far more entertaining film.
Mike Tyrkus
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