Movie Review: Tesla
What We Liked
What We Didn't Like
While the resting image from the new film Tesla may not have been intended to be the sight of Ethan Hawke as the titular iconic inventor singing—on what appears to be an open mic stage setting (and in character)—the Tears for Fears song “Everybody Wants to Rule the World,” it is, in fact, rather difficult to wrest that performance out of one’s psyche when ultimately evaluating the entirety of the film. This teetering of the balance between factual account and flight of fancy does the film no favors and casts a rather cumbersome shadow across the totality of the work.
The film starts off as a fairly straightforward story, albeit with a few jumps around its own often sketchy timeline, as it follows Tesla and his bid to breathe life into his bold vision of a system of electrical distribution. Of course, Tesla’s attempts are bombarded with obstacles, the least of which is his ongoing competition with fellow inventor and former employer Thomas Edison (Kyle MacLachlan). Then, after numerous financial catastrophes and countless legal entanglements, Tesla ultimately passes away penniless and very much in the shadow of his contemporaries, only to be resurrected and recognized by history for the remarkable inventor he was.
Of course, all of this depends on the conceit that writer/director Michael Almeryeda can, along with Hawke, make Tesla the man a relatable and sympathetic character. They succeed for most of the film, but numerous angles (such as the aforementioned performance of the Tears for Fears song) completely undermine all of the positives they have brought to the table.
As Anne Morgan, a potential love interest for Tesla, Eve Hewson narrates the film and appears onscreen from time to time to propel the story forward; she too gets in on the anachronistic time bending, frequently holding an object, such as a cell phone, while still appearing in character. Instead of explaining that such a modern wonder would never have been possible were it not for a person like Tesla, the film simply feels too enamored with its own cleverness to be able to get anything tangible or meaningful across.
While Tesla was indeed a man out of time and his inventions and theories could be considered vastly superior to those of his contemporaries, Tesla the film does little to establish those fact in any profound or meaningful way. Instead, it simply states that Tesla the man had these very good ideas, and, in a way, that proves far too clever a concept for Tesla the film to pull off.
Mike Tyrkus
Latest posts by Mike Tyrkus (see all)
- Box-Office Weekend: Red One Stops Venom - November 17, 2024
- Box-Office Weekend: Venom Threepeats - November 11, 2024
- Box-Office Weekend: Venom Stays on Top - November 3, 2024