Movie Review: The Phantom of the Open
Every once in a while, a film comes along that simply makes you feel good. It may not be a superlative piece of cinema, nor may it feature virtuoso performances from all involved, but it has something that well, just works and it makes the whole thing that much more enjoyable. The Phantom of the Open is precisely such a film. It is an engaging and heart-warming piece of entertainment that shines its beacon of hope over its entire running time.
The film tells the stirring true tale of one Maurice Flitcroft (Mark Rylance), a crane operator in Barrow-in-Furness who, in 1976, through a series of befuddling events, earned a place in the qualifying round of the British Open Golf Championship, even though he had never actually played the game before. Consequently, he produced the worst round in the history of the Open, incurring the wrath of the golfing establishment, while simultaneously becoming a sort of folk hero.
Director Craig Roberts, whose last film was the charming Eternal Beauty (2019), does a wonderful job of keeping Simon Farnaby’s rather cerebral script moving along at an effortless clip. The story plays with both whimsy and pragmatic pessimism to achieve a sort of cathartic release for Maurice’s relentless, almost simplistic, belief in himself and in the people around him. Aided by the cinematography of Kit Fraser and Sarah Finlay’s production design, the film teeters on the edge of a whimsical fantasy but never falls victim to it and instead stays grounded in telling Maurice’s remarkable story. Crisp editing courtesy of Jonathan Amos, never lets the film lose any momentum throughout, which is, of course, aided by an appropriate score from Isobel Waller-Bridge.
In addition to Rylance’s sublime performance, Sally Hawkins does equally incredible work as Jean, the object of Maurice’s affections. Twins Christian and Jonah Lees serve as comic relief of sorts as the younger siblings in the family who are somewhat the opposite of the oldest Flitcroft boy, Michael (Jake Davies), who is embarrassed and somewhat ashamed by his father’s shenanigans.
Even though The Phantom of the Open may not be considered one of the great “golf” films of all time, it is certainly one of the greatest stories of a golfer ever told. It is an inspiring and enchanting film that should not be missed.
Mike Tyrkus
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