Stillwater is one of those films that feels like it hasn’t got anything substantial to say, but there is something at work beneath the surface that lingers well after the last reel has run.

M. Night Shyamalan’s latest hybrid of drama, horror, and suspense is a turgid tangle of a story that offers very little of anything worthwhile in the various genres it contends to belong to.

“Snake Eyes” plays like an early-seventies James Bond knock-off that desperately wants to be something more tangible and important than it ultimately is.