While the series may have started on a high note, it has proven unsustainable over the course of four films and with "The Ice Age Adventures of Buck Wild."
After being pushed from the top of the box-office last weekend, Spider-Man: No Way Home reclaimed the number one spot from Scream by a mere $1.7 million.
Pedro Almodóvar's "Parallel Mothers" proves to be an outstanding depiction of the joys and crises of motherhood, as well as a stellar turn from Penélope Cruz.
"Spider-Man: No Way Home" had to settle for a second-place finish as newcomer "Scream," debuted on top of the box-office weekend with $30.6 million.
Joel Coen has crafted perhaps one of the greatest cinematic adaptations of Shakespeare’s seminal tragedy, "The Tragedy of Macbeth," in the history of cinema.
Many fans may look upon the new edition of "Scream" with nostalgia and adoration that should instead be channeled to the original film in some way or another.
Another weekend equals another one on top for "Spider-Man: No Way Home" as the film held the top spot of the box-office weekend for the fourth week in a row.
"The 355" paints itself into a corner with a sloppy structure and an unforgivably tedious plot that completely wastes an extremely talented cast.
"Spider-Man: No Way Home" stayed atop the box-office weekend for a third straight week, solidifying its spot as the highest grossing domestic film of last year.
It is uncommon for directorial debuts, such as Maggie Gyllenhaal’s strikingly distinctive "The Lost Daughter," to be as sure handed as this film is.
For the second week in a row the latest addition to the Marvel Cinematic Universe, "Spider-Man: No Way Home" held the top spot of the box-office weekend.
"Red Rocket" proves to be another excellent representation of Sean Baker’s singular and furtive voice within current American cinema.