Mike Tyrkus

Joel Coen has crafted perhaps one of the greatest cinematic adaptations of Shakespeare’s seminal tragedy, "The Tragedy of Macbeth," in the history of cinema.

Many fans may look upon the new edition of "Scream" with nostalgia and adoration that should instead be channeled to the original film in some way or another.

"The 355" paints itself into a corner with a sloppy structure and an unforgivably tedious plot that completely wastes an extremely talented cast.

It is uncommon for directorial debuts, such as Maggie Gyllenhaal’s strikingly distinctive "The Lost Daughter," to be as sure handed as this film is.

"Red Rocket" proves to be another excellent representation of Sean Baker’s singular and furtive voice within current American cinema.

"Don’t Look Up" is easily one of Adam McKay’s most topical, and important, films to date. It is also one of his most entertaining and, quite possibly, best as well.

Star-making turns from Cooper Hoffman and Alana Haim help make Paul Thomas Anderson’s "Licorice Pizza" possibly one of the director’s best films.

Unfortunately, the new film "The King’s Man" offers very little of the charm, wit, and entertainment value that was far more plentiful in its predecessors.