“Snake Eyes” plays like an early-seventies James Bond knock-off that desperately wants to be something more tangible and important than it ultimately is.
Roadrunner: A Film About Anthony Bourdain, proves to be a captivating portrait of a simultaneously complicated and fascinating man.
A hollow center blocks attempts to offer anything more than a slightly entertaining diversion, rendering it little more than a second chapter that perhaps was never really needed in the first place.
“Black Widow” is a fine entry to the Marvel canon and proves that super heroines can hold their own every bit as well as their male counterparts.
F9: The Fast Saga proves that the series would benefit from treating its audience kinder by giving them something interesting rather than this absurdity.
The exquisite, Rita Moreno: Just a Girl Who Decided to Go For It, deftly explores the appeal and charisma of an actor whose career spans seven decades and never ceases to amaze and entertain.
While not ascending to the heights of Pixar’s greatest triumphs, the studios latest endeavor, the coming-of-age fish-out-of-water tale, Luca, is a solid, entertaining, and often rewarding family film.
Aided by a wonderful performance from Emma Stone, "Cruella" manages to make its title character both sympathetic and relatable at the same time.
"A Quiet Place Part II" is one of those rare sequels that proves to be every bit as good as its predecessor, if not infinitely better.
The Human Factor, is a simultaneously riveting and illuminating examination of American foreign policy in the Middle East since the mid-1980s and through to the end of Bill Clinton’s tenure as president.
The Mitchells vs. the Machines is a wildly inventive and entertaining animated film that manages to paint a wonderful picture of a father and daughter who are devoted to each other yet desperately attempting to remain relevant to one another.
As a dramatic science fiction parable, the new film "Voyagers" is often quite effective and both dramatically and thematically rewarding.