"Thanksgiving" proves to be a plodding and thoroughly unenjoyable assault on an audience that may ultimately wish it had opted to stay home and eat leftovers.

While it may be more horror than anything else, there is more at work in "Five Nights at Freddy’s" than not, making it the best Blumhouse offering to date.

With "The Exorcist: Believer," David Gordon Green delivers an effective possession story that is hampered by being able to purge the spirit of its predecessor.