Movie Review: Supergirl

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When the New DCU Timeline launched with Superman in 2025, James Gunn’s film exuded a tonal shift in the DC Cinematic Universe (DCCU) that provided hope that subsequent films would build upon that success and reach even higher heights. While it is not as successful as its predecessor as a stand alone film, the latest film from the DC universe, Supergirl, delivers decent entertainment and holds its own as a solid piece of super hero lore, it too falls a bit short of the world-building blockbusters that the Marvel Cinematic Universe (MCU) has succeeded in producing since 2008.

"Supergirl" poster

The film begins as Kara Zor-El (aka Supergirl), who is played by newcomer Milly Alcock, finds herself unenthusiastically tethered to a recently orphaned girl named Ruthye Marye Knoll (Eve Ridley) who seeks revenge on the ruthless aliens who murdered her parents, who are led by Krem (Matthias Schoenaerts), who also happened to have shot and mortally wounded Kara’s best friend, the loyal Krypto – last seen in the aforementioned Superman. Finding they have a common enemy, the pair set out on to either bring Krem to justice or take vengeance on him.

Director Craig Gillespie – perhaps best known for I, Tonya (2017) and Cruella (2021) – imbues the film with a similar look and pacing to Gunn’s Superman, Meanwhile the story, crafted by screenwriter Ana Nogueira, attempts to world build in a sly way by interspersing Kara’s origin story in a series of flashbacks rather than follow the standard format of many super hero films.

By and large, this approach proves successful, but the presence of several subplots keeps the film from arriving at the hero’s ultimate appearance a bit too late and that softens the stakes at hand and instead simply becomes more spectacle than event. The seemingly gratuitous addition of the character of Lobo (played with “Hugh Jackman as Wolverine” gusto by Jason Momoa), adds a little character to the proceedings, but his presence goes largely unnoticed for the most part.

Supergirl/Kara Zor-El (Milly Alcock) in “Supergirl.”

Supergirl/Kara Zor-El (Milly Alcock) in “Supergirl.” (Warner Bros. Pictures/TNS). Warner Bros. Pictures/TNS.

As the titular character, Alcock does extremely well holding the film together portraying Supergirl as a rebellious young woman still trying to sort out her troubled past and find her way as a hero. While her hero’s journey may not be as conventional as her cousin’s, it is obvious that her heart is in the right place and the fact that the adventure begins to save her dog certainly helps that progression. As Kara’s pseudo sidekick, Ridley holds her own while keeping a boulder-size chip on her shoulder throughout almost the entirety of the film.

Ultimately, Supergirl is another step in the right direction for the DCCU – albeit a small one. But is also a misstep in the sense that it isn’t quite as effective as a standalone film as was its predecessor. That being said, here’s hoping that the Girl of Tomorrow returns for more cinematic adventures in the not too distant future.

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Supergirl/Kara Zor-El (Milly Alcock) in “Supergirl.”
Movie Review: Supergirl
READ THE FULL REVIEW
Ultimately, "Supergirl" delivers decent entertainment and holds its own as a solid piece of super hero cinematic lore.
Producer:James Gunn, Peter Safran
Release Date:June 26, 2026
Running Time:107 minutes
Starring:Milly Alcock, Jason Momoa, Matthias Schoenaerts, Eve Ridley, David Krumholtz, Emily Beecham
Writer:Ana Nogueira
MPAA Rating:PG-13 (for sequences of strong violence, action, language, and smoking)
Director:Craig Gillespie
Distributor:Warner Bros.
External Info:Official Site / Facebook / Instagram / X (Twitter) / TikTok / #Supergirl
Reader Rating1 Vote
What We Liked:
"Supergirl" is another step in the right direction for the DCCU!
What We Didn't Like:
Some may feel it isn’t quite as effective as a standalone film as was its predecessor.
3
CRITIC RATING:
An independent filmmaker, co-writer and director of over a dozen short films, the Editor in Chief of CinemaNerdz.com has spent much of the last three decades as a writer and editor specializing in biographical and critical reference sources in literature and the cinema, beginning in February 1991 reviewing films for his college newspaper. He was a member of the Detroit Film Critics Society, as well as the group's webmaster and one-time President for over a decade until the group ceased to exist. His contributions to film criticism can be found in Magill's Cinema Annual, VideoHound's Golden Movie Retriever (of which he was the editor for nearly a decade until it too ceased to exist), the International Dictionary of Films and Filmmakers, and the St. James Film Directors Encyclopedia (on which he collaborated with editor Andrew Sarris). He has also appeared on the television program Critic LEE Speaking alongside Lee Thomas of FOX2 and Adam Graham, of The Detroit News. He currently lives in the Detroit area with his wife and their dogs.

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