"The 355" paints itself into a corner with a sloppy structure and an unforgivably tedious plot that completely wastes an extremely talented cast.

It is uncommon for directorial debuts, such as Maggie Gyllenhaal’s strikingly distinctive "The Lost Daughter," to be as sure handed as this film is.

"Red Rocket" proves to be another excellent representation of Sean Baker’s singular and furtive voice within current American cinema.