Although the new version vastly improves upon the initial incarnation, there is still an underlying penchant to make everything as dark and violent as it could possibly be.

In the vein of the “Pirates of the Caribbean” films, comes a much feebler and unsuccessful attempt to spin another park attraction into celluloid gold.

Stillwater is one of those films that feels like it hasn’t got anything substantial to say, but there is something at work beneath the surface that lingers well after the last reel has run.