M. Night Shyamalan’s latest hybrid of drama, horror, and suspense is a turgid tangle of a story that offers very little of anything worthwhile in the various genres it contends to belong to.

“Snake Eyes” plays like an early-seventies James Bond knock-off that desperately wants to be something more tangible and important than it ultimately is.

Roadrunner: A Film About Anthony Bourdain, proves to be a captivating portrait of a simultaneously complicated and fascinating man.