The captivating new documentary, The Way I See It, chronicles the years that photographer Pete Souza spent as the White House Staff Photographer—first...[Read More]
The provocative and timely thriller/pseudo horror film Antebellum arrives at a particularly divisive time in American history that, perhaps mirrors th...[Read More]
Although the new thriller, Rent-A-Pal, is an occasionally encouraging debut feature from director Jon Stevenson, it fails to succeed fully on enough l...[Read More]
There is a certain cinematic gravitas associated with the name Charlie Kaufman when it appears in the credits either before or after the title of a fi...[Read More]
Even though the new thriller, Centigrade, is beset by a few issues that prevent it from being a truly great entry to the genre, it is still a tremendo...[Read More]
While the resting image from the new film Tesla may not have been intended to be the sight of Ethan Hawke as the titular iconic inventor singing—on wh...[Read More]
The intense, often nerve-wracking, yet thoroughly enjoyable genre film Sputnik is also the debut for Russian director Egor Abramenko. This is a film t...[Read More]
Apparently even potential politicians have their own summer camps where, over the course of a week each summer, participants are gathered in various c...[Read More]
To call Made in Italy a comedy (as it has been billed) is misleading as it is essentially a story of loss and the coming to terms with and ultimately ...[Read More]
As far as feature debuts for a writer/director go, there have been few as rewarding as Summerland, the first endeavor from award-winning playwright tu...[Read More]
While horror movies that predate The Rental may have tended to focus on a central idea and then stick on that one solid concept throughout, this film ...[Read More]
Although The Painted Bird is only director Vaclav Marhoul’s third film (his previous works include Smart Phillip [2003] and Tobruk [2008]), it is, in ...[Read More]