The latest offering from Marvel Studios, Shang-Chi and The Legend of the Ten Rings, is one of more entertaining martial-arts laden superhero films ever made.
The reimagined version of Candyman hit theaters this weekend and easily took the top spot of the box-office weekend as it brought in $22.37 million for Universal Pictures. Falling to second place was Free Guy, which finished with $13.56 million in its third week of release, bringing its total to $79.31 million. Also falling one spot this week was last week’s second-place finisher PAW Patrol:...[Read More]
If you enjoyed the action-comedy 'The Hitman’s Bodyguard,' then you may find some entertainment value in 'The Hitman’s Wife’s Bodyguard,' which is now available on Blu-ray, DVD and 4K.
Although some may feel nostalgic for the 'Candyman' of old, this new version is a sleeker, meaner, and far more terrifying version of the character than there has ever been.
The new action, crime, thriller, 'The Protégé,' starring the simply amazing Maggie Q, is a treasure trove of tantalizing action sequences and delightful performances.
The sci-fi thriller "Reminiscence" ultimately flails about, never finding its proper footing despite a decent concept and a moody performance from Hugh Jackman.
Is ultimately a story about the human condition and the importance of caring about those around you as much, if not more, than you do yourself.
Few feature-film debuts have proven to be as impressive and promising of a great talent as has 'Nine Days' by filmmaker Edson Oda.
Although the new version vastly improves upon the initial incarnation, there is still an underlying penchant to make everything as dark and violent as it could possibly be.
In the vein of the “Pirates of the Caribbean” films, comes a much feebler and unsuccessful attempt to spin another park attraction into celluloid gold.
Stillwater is one of those films that feels like it hasn’t got anything substantial to say, but there is something at work beneath the surface that lingers well after the last reel has run.
M. Night Shyamalan’s latest hybrid of drama, horror, and suspense is a turgid tangle of a story that offers very little of anything worthwhile in the various genres it contends to belong to.