Reviews

The disappointing mediocrity of "Aquaman and the Lost Kingdom" may have set a new low for the DCECU that it is unlikely to climb out of at any point s...[Read More]

Yorgos Lantimos' "Poor Things" is a funny, original and gorgeously filmed steampunk fantasy that gives Emma Stone one of the best showcases of her car...[Read More]

With "The Iron Claw," writer-director Sean Durkin delivers an emotional piledriver of a movie and directs Zac Efron to the best performance of his car...[Read More]

Aspiring to be nothing more than a pleasant diversion for families, "Migration" overcomes its familiarity with warmth, humor and colorful animation.

Whip-smart and very funny, "American Fiction" is a great spotlight for Jeffery Wright and announces a new cinematic voice in writer-director Cord Jeff...[Read More]

Don't be fooled by the playful camp of "May December." It might seem salacious on the surface, but Todd Haynes' latest is a complex character study.

"Silent Night," the first American film from action maestro John Woo in 20 years, is one of the most mean-spirited, ugly and regressive movies in a lo...[Read More]

For Disney's 100th birthday, it releases "Wish," a reheat of classic tropes and themes, and one of the most disappointing animated films in its canon.

Director Ridley Scott's new film "Napoleon" makes for a far more sweeping tale of tragedy and romance than has been attempted before with regards to t...[Read More]

Emerald Fennell's "Saltburn" is a gorgeously filmed and brilliantly acted bit of provocation, hampered by a script that doesn't quite know what it wan...[Read More]

Adam Sandler tries to balance sincerity alongside subversive humor in "Leo," an animated musical that has its moments but never quite comes together.

A brutal and wryly funny bit of pulp, David Fincher's "The Killer" is more proof that few directors are more meticulous and honed in on their craft th...[Read More]